Here, the National champions 2021 Texas flag map basketball shirt but in fact I love this fashion industry must undergo a reckoning. Watching so many fashion films without a purpose or clear message made my head spin. For a long time, logistics were the easy out: It would be too difficult to fly people from outside the fashion community to a brand’s H.Q., so collaborations were kept insular. Now, anything could be possible with technology—why not invite new voices into the fold? Dior Men showed a beautiful collaboration with artist Amoako Boafo; Prada made interesting films with three lesser-known (at least in fashion) artists in addition to two well-cited photographers; and Thom Browne and Moses Sumney collaborated on a transfixing short film made in Asheville, North Carolina. The rush of significant editors into Alba’s studio after McQueen and before Ferragamo was a testament to the not entirely Bond-fuelled truth that this long-warming designer is entering a hot window of opportunity: the wider world is close to catching up with his slow-fashion, high-quality, just-feel-that-hand point of view. Alba’s independent house is an extremely small one in the wider Milan landscape, but with the right allies and partners that could change. Daniel Craig also deserves props for dressing a character against whose lucrative but many limitations he has so publicly railed in garments that give him room for growth rather than imprisoning him. These felt like exciting opportunities that expanded the circles of the fashion system. Everyone also loved the “show in a box” (yes, ace idea!), but what I really enjoyed was the 24-hour Livestream that showed people in the Loewe universe from around the world: the artists and artisans in Spain, Japan, England, and the United States that make Jonathan Anderson’s vision real. That’s the other thing many liked about digital Fashion Week that I found a little lacking. Revealing the behind-the-scenes workings of a brand is interesting, and while none did it better than Maison Margiela’s fantastic film by Nick Knight, there’s something a little unsettling to me about what is shown and what is concealed. Even “peeling back the curtain” can feel like well-articulated P.R., showing only the glamour and hiding the ugliness, stress, and mania that fashion contains. Osman Yousufzada was the only designer to include factory workers as a part of any content this season; his video filmed in Bangladesh asked factory workers to imagine the women who would wear the clothes they produce. A nice BTS video is only part of the true story of how fashion is made.
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