There are only four known physical forces in the universe: gravity, electromagnetism, strong nuclear, and weak nuclear forces. The ones we generally interact with are gravity, (Duh!) and electromagnitism. All of the matter we are familiar with, wood, glass, steel, diamond, earth, water and us are atoms “glued together” by electrostatic attraction. In fact, most of solid matter like a stone countertop, is 99+% empty space, but the attractions between atoms are so strong that to us, stone seems fully solid.
• Glaze all the interiors of your pots first by pouring the glaze in, then rolling it around for complete coverage. For complex pieces requiring a number of glazing steps, glaze the insides the day before to give you a drier surface to work with, especially for brushing.
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Regarding our bodies falling apart when we die, this is not the result of electromagnetism failing. It is the result of microbial decomposition. Without a functioning immune system to check their growth, these microbes will eventually digest our soft tissues, leaving only bones and teeth. Bones and teeth, however, may remain intact for 10s of thousands of years. We can extract and examine DNA from bones and teeth from samples of creatures that died 100,000+ years ago.
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If you were to seal a freshly dead person in a vacuum jar, they would last a very long time with little decomposition. However they would eventually be digested by the “anaerobic bacteria” in our intestines, because, by definition, anaerobic “bugs” don’t require oxygen to live.
When a bisque pot becomes too saturated with water, it won’t accept glaze correctly, so use the least amount of water possible when glazing, including when you are making corrections. And as for gravity, I doubt there’s anyone who hasn’t experienced the wayward drip of one glaze marring the perfect application of the previous glaze. What follows are some pottery glazing tips that I hope will help you improve your glazing outcomes.
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After bisque firing, keep your pots clean. Lotions, or even the oils from your hands, can create resist spots where glaze adheres unevenly or not at all. Throughout all phases of the glazing process, including loading and unloading the kiln, handle bisqueware with a clean pair of disposable gloves. If you think your bisqueware has been compromised splashed with something, covered with grime, or maybe handled by a visitor bisque it again rather than risk your glaze crawling.
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Use silicon carbide paper to remove any rough spots you missed before bisque firing. Place your work on a piece of foam to prevent chipping. After sanding, wipe with a damp sponge to remove all traces of sanding dust. Use a damp sponge instead of rinsing, which should be kept to a minimum. Wring the sponge thoroughly and rotate it so each area is only used once. I tend to use half a dozen or so of those orange round synthetic sponges during any given glazing session.
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Glaze all the interiors of your pots first by pouring the glaze in, then rolling it around for complete coverage. For complex pieces requiring a number of glazing steps, glaze the insides the day before to give you a drier surface to work with, especially for brushing.
